Book Review: The Girl Who Played With Fire

This week we move on to part two of Stieg Larsson’s Millenium Trilogy,
The Girl Who Played With Fire. After flying through the first in the series once it drew me in, I wasn’t quite sure how excited to get about it’s sequel. I was a bit worried this book would suffer from having to live up to the extremely lofty expectations of
The Girl With the Dragon Tattoo, but
The Girl Who Played With Fire (TGWPWF) is a very different book than it’s predecessor. And that’s about the best way to describe this book, it is different. This of course makes it difficult to compare, but we’ll get to that in a little bit.
Overview
Rather than the murder mystery plot at the heart of the first book, TGWPWF is much more of a thriller. That’s not say it worse, again just different. It centers around the murder of a couple of reporters who are freelancers for Mikael’s magazine. Lisbeth is framed for the murders and predictably their paths cross once again.
The Girl Who Played With Fire is far more centered on Lisbeth than Mikael, unlike the first book which was based on Mikael and his quest to solve the mystery. We definitely delve into Lisbeth’s past and her personal life in this book, which means some particularly descriptive lesbian scenes. It also means some more extremely painful stories as we get to the root of Lisbeth’s anti-social behavior.
There are however a few commonalities between the two books. First off, Larsson’s politics litter TGWPWF but in a different manner. The first book was really centered on the evil’s of capitalism while this book is much more centered on exploitation of women. The second real thread is the pacing of the books, TGWPWF is again very back heavy. The beginning isn’t as slow and painful, but it clears take a while to ramp up. Again I put this book back on the shelf after the first chapter. As we get in to the murders, Lisbeth’s life and run from the law, and Mikael’s attempt to help her the books hits a frenzied pace.
The book also introduces us to many new characters who follow us through the end of the trilogy. First, we meet law enforcement personnel, as to be expected they speak volumes about Larsson’s opinion on law enforcement. The characters range from corrupt cops to policewomen struggling to stay honest under intense pressure. We also meet Miriam Wu, Lisbeth’s lesbian lover who has a deep and interesting relationship with our heroine. We lastly encounter a few characters with a relationship from Lisbeth’s past, but I don’t want to ruin any of Larsson’s twists as there are plenty.
What I Liked
- Larsson clearly did a good deal of planning when writing his books, the storylines only build on the first book and have no plot holes.
- Larsson shows great range going from Mystery to Thriller in this book, and he does it about as well as could be asked for. In fact it was quite an ingenious transition as another mystery book could have been repetitive and stale.
- There is a fantastic cliffhanger at the end of this book that will leave you reaching for the third book.
What I Didn’t Like
- The pacing isn’t much better, not as noticeable as the first novel but it is clearly very back heavy. In fact it is almost too back heavy. So much hits you at once that you have to reread certain parts.
- Stieg struggles with writing from the viewpoint of anyone but his main characters. Chapters written in the perspective of the law enforcement are often very lacking and uninteresting.
Conclusion
TGWPWF is a very worthy follow up, some of the charm and intrigue of the mystery plot in the first novel is lost but it more than makes up for it with high paced action. The best thing you can say for a sequel is that it makes you look forward to the third book, that is more than true here.
**** out of *****